没有和解 HD高清

剧情 其它 1965 [留言反馈]

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剧情介绍

剧情其它19656.0分

语言:其它

主演:Heinrich,Hargesheimer,Carlheinz,Hargesheimer,Martha,Staendner,达尼埃尔·于伊耶,Henning,Harmssen,Ulrich,Hopmann,Joachim,Weiler,Eva-Maria,Bold,Hiltraud,Wegener,Ulrich,von,Thüna,Ernst,Kutzinski,Karl,Bodenschatz,Heiner,Braun,Georg,Zander,Lutz,Grubnau,若阿内斯·巴尔斯基,保罗·埃塞尔

导演:让-马里·斯特劳布,达尼埃尔·于伊耶

影片版本:HD中字

资源类别:正片、全集无删减版

总播放次数:933次

入库更新时间:2024-06-24 00:06:07

由让-马里·斯特劳布,达尼埃尔·于伊耶导演执导的《没有和解》,自1965年上映以来获得不错的口碑,是由Heinrich,Hargesheimer,Carlheinz,Hargesheimer,Martha,Staendner,达尼埃尔·于伊耶,Henning,Harmssen,Ulrich,Hopmann,Joachim,Weiler,Eva-Maria,Bold,Hiltraud,Wegener,Ulrich,von,Thüna,Ernst,Kutzinski,Karl,Bodenschatz,Heiner,Braun,Georg,Zander,Lutz,Grubnau,若阿内斯·巴尔斯基,保罗·埃塞尔等主演的一部不错的其它剧情片。

剧情片《没有和解》在其它发行,秋霞电影网收集了《没有和解》pc网页端在线观看、手机mp4免费观看、高清云播放等资源,如果你有更好更快的资源请联系秋霞电影网【点击留言反馈】

The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.

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